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folkdance

Benützer: hamjii

Bartok - Rumanian Folkdance Conducted by Solti Tags: Bartok Solti

Benützer: Saiaopinoi

Philippine Folk dance: Kuratsa (Version on the video is the popular Kuratsa Binisaya from Tacloban Leyte' found on the book Philippine Folk Dances V.1 by Francisa Reyes-Aquino but the music used is the Kuratsa Bago (from Bago City, Negros Occidental, notation foun in the "Visayan Folk Dances V1" by Libertad Fajardo) The Kuratsa is highly favored by the Visayan people especially the Waray people of the Eastern Visayan region in the Philippines. Strictly speaking, only one couple dance it at a time. Believed to be a Mexican import (supposedly from La Cucaracha dance typical to Monterrey region of Mexico)- the Kuratsa is however, very different in the manner of execution than the Mexican counterpart. Even the "basic" Kuratsa music is not based on Mexican or even Spanish melodies. Philippine dance researchers, however, point either to the "Kigal" and the "Bikal" as the 'ascendant' of the Kuratsa. The Kigal (spelled "Quigal" in early Spanish writings on Samar culture and lifeways) is a sort battle-of-sexes couple dance that imitate mating birds. The Kigal is in fact called by another name: Binanug or Kiglun (Kigalun?) that's according to a 17th century Samarnon dictionary by Jesuit missionary to Samar, Fr. Alcazar. It is interesting that Banug uis the Waray word for the hawk. The Bikal is rather believed to be the fore runner of the Waray Balitaw because of the strict emphasis on "joust" of impromptu songs interspersed with dancing. The bikal is survived by the Ismaylingay and many versions of this art is preserved by aging "magsiriday" in Samar and to a lesser extent Leyte. The Kigal dance step called 'sabay' is in fact very similar to the Kuratsa dance step called 'dagit' or when more daring the 'sagparak'. Dagit means swoop while sagparak is descriptive of a heated 'bulang' (cockfight). The block and chase portion of the Kuratsa (called 'palanat') is never seen in the Mexican social dance La Cucaracha but is very common among Samar 'amenudo' (or couple dances) like the Ismaylingay, Amoracion, Alimukon, Kuradang and Pantomina. Popular versions of this dance exist in Samar can be classified as the Kuratsa Menor (the usual favorite) and the many versions of the daring Kuratsa Mayor. New genres of Kuratsa evolved as a result of necessity, like-as the name implies- Kuratsa kanan Kadam-an and a very funny Kuratsa nga Pinayungan appropriate for rainy days. KURATSA (Tacloban, Leyte) Introduction. Partners join inside hands, free hands down at the sides. Starting with the R foot, take three steps forward (cts 1,2,3). Put feet together and bow to partner or audience (ct 1).....[2M] Dancers separate about six feet apart. The last two counts of the music are not played until the partners are in their proper places. Watch out for my upcoming videos of the following dances: Tinikling Itik-itik Kuratsa Samarnon Lugkat Lukay An Marol Surtido Samareño Ismayling (Amoracion/Amoral) An Lubi An Lab-asero Costurera Maramyon (Leyte version) Paspe Ginabato Pantomina de Samar Salampati Ti Yadut Lavezares Jota han Kalipay La Jota Samareña Kuradang An Ulitawo Bagol Kadang Ingkoy-ingkoy (Samar version) Pastores (Samar version) Estudiantina (Capul version) Mazurka Capuleña Panderetas (Tanza, Ilo-ilo version) Engañosa (Pandangyado Mayor) Pandangyado Cariñosa (Samar) Pandagyado Buraweño Pag-aring (Basey, Samar) Jota Paloana (La Jota Navarra) Paso Doble (Parañaque version) Polka Tagala Culebra (Bulacan) Jota Cabangan Jota Rizal Jota Ibanag Chotis Dingreña (Ilocano) Sangkayao Pangkilad Flaggey Libon (T'boli) Madal Tahu Karal Kafi (Bilaan) Ati-ati sa Bukid (Cuyo, Palawan) Bendayan (Tchunggas) Kadal Onuk (T'boli Bird Dance) Karatong (excerpt) Inday na Kunday (Southern Leyte) Likod-likod Gapus-gapusay Man-manok Sohten (Subanen) Khinlesung Pangalitawo Madrileña Takiling Minandagit Inahaw Dugso Siring Sarungkay Balisangkad Tugatak Dagit-dagit Jota Moncadeña Surtido Boronganon Tachok Chalijok Ballangbang Karasaguyon Polka Lapis Apoc Pangalay Paunjalay Silong sa Ganding Kandalamat sa Gandingan Ipat (Demo) Maong a Lalong Palu-palo Pawakan (Sabong) Pinanyuwan Buhay sa Bukid Pakkong Buling-buling Pandacan Tacon y Punta Danza Telipe Tags: Samar Leyte Folk dance Waray Money Curacha Menor Mayor Eastern Visayas Evolution of Dance

Benützer: TURBASHAASH

Somaliland folk Dance + Ceerigaabo Somaliland folk Dance + proud Ceerigaabo Tags: Somaliland folk dance +proud Ceerigaao

Benützer: Verrini

Albanian folk dance - Valle nga Korça Grupi i rrethit të Korçës. Festivali Folklorik Kombëtar Gjirokastër 1983. Shqipëria Çamëria Kosova Shkëlzeni Valbona Bajram Curri Tropoja Kukësi Hasi Shkodra Puka Mirdita Rrësheni Shkodra Velipoja Lezha Rubiku Miloti Laçi Kruja Mati Burreli Tirana Peshkopia Librazhdi Dibra Elbasani Durrësi Lushnja Berati Kuçova Fieri Vlora Himara Saranda Butrinti Delvina Konispoli Gjirokastra Tepelena Memaliaj Përmeti Porgradeci Korça Kolonja Devolli Erseka Plava Gucia Vuthaj Ulqini Kelmendi Rugova Peja Burimi Deçani Gjakova Prizreni Theranda Malisheva Shtimja Ferizaj Viti Kaçaniku Hani Elezit Gjilani Dardana Prishtina Lipjani Mitrovica Besiana Vushtrria Skenderaj Drenasi Kastrioti Klina Rahoveci Tetova Kumanova Gostivari Struga Ohri Kërçova Shkupi Filati Preveza Janina Tags: Albania albanian folk dance valle shqiptare Enver Hoxha shqip Korca

Benützer: Saiaopinoi

LULAY: Philippine Folk Dance A few among those Philippine dances which can be classified as a "national" folk dance. This dance is also available in versions from Ilo-ilo, Mindoro, Laguna and Leyte. The version from Leyte appeared in the book "MGA AMBAHAN" (1906) by the famous Waray writer Vicente de Veyra. All versions of the Lulay use the same "basic" melody. The melody first appeared in the book "Bajo los Cocoteros" (Under the Coconut Trees?). It ranks among the popular love songs in the country at the close of the 19th century. It was also published in Madrid by Graciano Lopez-Jaena (from Ilo-ilo, ring any bell?) in Aires Felipinas (Philippine Airs). The most popular version of the Lulay song is probably the one from the Tagalog region which runs: Anong laking hirap kung pakaiisipin Ang gawang umibig sa babaeng mahinhin Lumuluhod ka na'y 'di ka pa mandin pansin Sa hirap ikaw'y kanyang susubukin. Another Tagalog version from Laguna have this for the first stanza: Sa silong ng langit nitong bayang sinta Ang mga dalaga ay mahinhi't maganda Kung susuyuin mo ay magtapat kang talaga At iibigan ka magpawalang-hanggan. The Waray version is used as a melody for the Balitaw where dancers sing and dance respective parts in a joust of "siday" done to the tradition of the Amoracion oe Ismaylingay, the following line sung by a male "mag-ismaylingon" was recorded in Samar: Kamakakukuri hinin akon kabutang Sugad hin natungtung hinin anud nga batang Waray sasabuta inin akon kapalaran Kun hain mga bungto ako sasampigan The Lulay is also sung in Bicolano as part of their 'pastores' traditional music. National Artist for Dance Ramon Obusan recorded one version using the Lulay music in the Christmas shepher dance called "Pastores Maliliput" from Maliliput town in Albay. Two Lulay dance versions are found in the island of Panay alone. One version is the Lulay dance from Bingawan, Ilo-ilo. Another version (or excerpt) of the Lulay is found in the "Salidsid" dance also from Ilo-ilo. The seventh figure of the "Salidsid" is the Lulay. During the American occupation some folksongs were translated to English, the Lulay was published but was entitled "Boanerges Serenade". The first stanza goes: I was poorly born on the top of the mountains Caressed by the motherly love of the lighting Playing with the wonderful fire of the lightning Thrilling, thrilling kiss of love is always mine Its Filipino language text was entitled "Harana ni Boanerges": Ako'y ipnanganak sa tuktok ng bundok Kalaro-laro ko'y kulog na matutunog Dinuyan ko'y ulap sa papawiring bughaw Halik ng kidlat ang siyang kaulayaw. Watch out for my upcoming videos of the following dances: Tinikling Itik-itik Kuratsa Samarnon Lugkat Lukay An Marol Surtido Samareño Ismayling (Amoracion/Amoral) An Lubi An Lab-asero Costurera Maramyon (Leyte version) Paspe Ginabato Pantomina de Samar Salampati Ti Yadut Lavezares Jota han Kalipay La Jota Samareña Kuradang An Ulitawo Bagol Kadang Ingkoy-ingkoy (Samar version) Pastores (Samar version) Estudiantina (Capul version) Mazurka Capuleña Panderetas (Tanza, Ilo-ilo version) Engañosa (Pandangyado Mayor) Pandangyado Cariñosa (Samar) Pandagyado Buraweño Pag-aring (Basey, Samar) Jota Paloana (La Jota Navarra) Paso Doble (Parañaque version) Polka Tagala Culebra (Bulacan) Jota Cabangan Jota Rizal Jota Ibanag Chotis Dingreña (Ilocano) Sangkayao Pangkilad Flaggey Libon (T'boli) Madal Tahu Karal Kafi (Bilaan) Ati-ati sa Bukid (Cuyo, Palawan) Bendayan (Tchunggas) Kadal Onuk (T'boli Bird Dance) Karatong (excerpt) Inday na Kunday (Southern Leyte) Likod-likod Gapus-gapusay Man-manok Sohten (Subanen) Khinlesung Pangalitawo Madrileña Takiling Minandagit Inahaw Dugso Siring Sarungkay Balisangkad Tugatak Dagit-dagit Jota Moncadeña Surtido Boronganon Tachok Chalijok Ballangbang Karasaguyon Polka Lapis Apoc Pangalay Paunjalay Silong sa Ganding Kandalamat sa Gandingan Ipat (Demo) Maong a Lalong Palu-palo Pawakan (Sabong) Pinanyuwan Buhay sa Bukid Pakkong Buling-buling Pandacan Tacon y Punta Danza Telipe Tags: Lulay Waray Folk Dance Courtship Evolution of Philippines Visayas Culture Performing Arts Theater Traditional Spanish Español Baile Filipino

Benützer: qumane

Somali Folk dance 1 Somaliland Festival for Celebration of 10th aniversary 18 May 2001 in Holland Tags: somaliland somalia Djibouti Somali cultural dance african

Benützer: Saiaopinoi

TIKLOS : Philippine Folk Dance Tiklos (also called "pintakasi") is the Waray equivalent to the "bayanihan". Groups of people work for somebody without hoping for anything in return. They work odd jobs like clearing forests, digging the earth for wells, moving a nipa hut to a new location or even building a house! In all these for free. Of course grateful benefactors would offer drinks and food; but it is not always expected. The peasants cooperate for the social and economic progress of their community. The Tiklos is a native peasant dance of Leyte. Very early in the morning, the leader of the tiklos beats the tambora, a kind of drum made from a hollow trunk of a tree with a carabao hide head. Next comes sounds of the subing (bamboo flutes) and the guimbal-a small snare drum with a head of a parchment made from the skin of a wildcat. The peasants come out with grass hooks, bols and other garden tools and farm implements. Led by the band, they march together to work in the fields. During breaks the peasants enjoy themselves with tuba (a native wine) and the rest dance the tiklos accompanied by the subing (plawta), guimbal and tambora drums or when available, the "sista" played by the band. The Tiklos music is also played to call them back to work. SOURCE: Philippine Folk Dances V4, by FR Aquino DAGAW: Eastern Visayan Culture, by Saiaopinoi Programs of Philippine Folksong and Dances Manila, 1937, page 1 Tags: Tiklos Waray Philippine Folk Dance Leyte Samar

Benützer: SosoMK

Georgian Folk Dance - Mtiuluri (The Mountaineers Dance) Historically, Georgians tend to strive for excellence. This mountain dance is probably the best representative of the Georgian spirit. It unites love, courage, and respect for women, toughness, competition, skill, beauty, and colorfulness into one amazing performance. Tags: Georgia Folk Dance Caucasus Medieval Music

Benützer: barynya

Russian Gypsy Folk Dance performed by ensemble "VIA ROMEN" http://www.barynya.com/romen Tags: Russian Gypsy Folk Dance

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Benützer: zoharisrael

ISRAEL ZOHAR - ISRAELI FOLK DANCE DANCING RIKUDEI AM ISRAELISCHE MUSIC FOLKLORE JEWISH MUSIC CLARINET PLAYER פסטיבל כרמיאל " כליזמר ריקודי עם ריקוד "ה כליזמר כלייזמרים פטיבל הכלייזמרים " Array Tags:

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