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smokers

Benützer: icolumbia

Editors - Smokers Outside The Hospital Doors Editors Smokers Outside The Hospital Doors (C) 2007 Kitchenware Records Limited under exclusive license to SONY BMG MUSIC ENTERTAINMENT (UK) Limited Tags: Editors Smokers Outside The Hospital Doors Pop Music Video

Benützer: electroforpresident

Bill Hicks - non smokers classic clip of bill on his sane man tour more clips coming very soon! Tags: bill hicks non smokers smoking sane man

Benützer: RadioMad

Editors - Smokers Outside The Hospital Doors (Later... ) Editors perform the track 'Smokers Outside The Hospital Doors', taken from their 2nd album An End Has A Start, at BBC2's Later... with Jools Holland. Tags: Editors Smokers Outside The Hospital Doors live Later Jools Holland

Benützer: oneill40

Black Smoker Vents Underocean vents Tags: smoker ocean

Benützer: menphes

Foamy - Smokin' smokers Foamy is a Jonathan Ian Mathers creation. Official site: http://www.illwillpress.com Tags: foamy

Benützer: puppetgovcom

Smokers Are Terrorists BJ & Dirty Draco: Episode #1 Music by: PET DESIGNS By Bill Jablonski~Puppetgov In an effort to explore this country's ever-increasing "Nanny State" and the overall growing need for government control over the passive populace, Puppetgov's latest video attempts to address the problem. No smoking. No Foie Gras. Remove your shoes. Cameras watching all of us while our borders are wide open. Buy cough syrup, show ID. Random Checkpoints. "If you are not doing anything wrong you should have nothing to hide." All of it, a continued erosion of our most basic civil liberties or what our government likes to call "The Bill of Wrongs." It starts with smoking. To be clear, our message is not pro-smoking or pro force-feeding geese to fatten their livers for that matter. These attacks are on our personal choices not on real solutions for real problems. Our government does not regulate the unhealthy animal holocaust of factory farming, but they will decide what they think is acceptable for YOU to eat while visiting Chicago. Does the government change the addictive, insidious drug the FDA continues to allow to be placed in each cigarette making it, for some, a harder habit to kick then heroin? No. They increase the nicotine and they take away your right to smoke in public places under the guise of keeping us healthy and safe all while multinational corporations pump millions of tons of deadly toxins into our air, water, soil and subsequently us. Isn't this doing far more damage to each of us than "Bob" just unwinding and enjoying a "coffin nail" with his beer at the local tavern? The obvious hypocricy is that alcohol is fine even though that kills a bunch of people too? But, it's OK, drinking is sexy. You see, our government really does care. Where will it stop? Mississippi legislators were actually trying to pass a law where the state's health department would dictate how obese someone could be before a restaurant would be forced to ban them from eating at their establishment. So, besides Kirstie Alley having to order "take out" all the time, why should we care? Shouldn't we as a society be more concerned about real issues like the GMO of foods, Fluoride in our drinking water or the fact that psychotropic drug prescriptions to children went up 400% in just ten years? This is simply about control. The slow incremental slide into a total control police state. All to see how far they can go before you say you have had enough. Watch when another tragic school shooting takes place. Our government comes running after gun rights instead of looking at the real underlining link with the shooters, they too were on prescribed psychotropic drugs. PROBLEM: A SCHOOL SHOOTER REACTION: FEAR,TERROR & LOCKDOWN SOLUTION: BAN GUNS We can relax because delusional killers off their serotonin reuptake inhibitors would never grab a baseball bat or a toaster and beat you to death with that. Or maybe run you over with a car. Or stab you to death with the sharp end of a Cherry Blossom's tree branch. Or choke you to death by stuffing your throat with some cottonballs. I guess once we ban the guns, we can wait to see what "weapon du jour" the killers pick so we can ban those too. (Secretly many of us pray that whoever goes on the next rampage will use "Larry the Cable Guy" as a blunt object so we can outlaw him next. Once again, not pro gun, just pro critical thinking. Wake up and smell the fascism. Related Stories: Sorry, you're too fat to eat here Miss. bill would ban restaurants from serving obese customers http://www.msnbc.msn.com/id/22997073/ Foie Gras Banned In Chicago http://www.cbsnews.com/stories/2006/0... No swearing allowed: Bill Would Ban Swearing in Bars http://blog.puppetgov.com//?p=1221 State to Use Speed Cameras on Skiers http://blog.puppetgov.com//?p=1184 Who Will Control Your Thermostat? http://blog.puppetgov.com//?p=1201 'Big Brother' Restaurant Spies on Diners: Customers Are Weighed at Checkout http://blog.puppetgov.com//?p=969 High School Institutes Mandatory Breathalyzer Tests http://blog.puppetgov.com//?p=1196 They Thought They Were Free/The Germans, 1933-45 http://www.press.uchicago.edu/Misc/Chicago/511928.html Corporations can smoke... You Can't (note:) * We love you Bill Jackson & all the love, decency and fun you taught us as children. Also, what up Blob ! Tags: puppetgov billy vegas smokers cigarette smoking rights nanny state control police oppression martial law peace hicks

Benützer: 8thpacifist

Smokers fight A bunch of cigarette addicts fight over THE LAST ONE. Dale James is the guy who owns them all, the rest are Jamie Alexander, Jon Moy and Austin Dickinson. The guy singing in the outtakes is Bryan-Javier Canaval-Saavedra. No, I didn't make that up. Alexandra Ortolja-Baird held the boom mic. I think that's everyone. That was Dale's gun that broke by the way. This is the fourth of four movies made by me at the Metropolitan Film Academy. Directed by me: Tom Roderick. The music is "Staple it together" by Jack Johnson Tags: cigarette fight owned smokers addicts senseless gratuitous violence idiots cool stuff stupidly bad movie

Benützer: billstoll

The Smokers Band The Smokers Band ~ Tampa FL Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals, Genre: Blues-rock, Blues, Jamm Instrumentalm Rock Years active 1991 - present The Smokers was formed in Tampa, Florida on March 26, 1991 and remain a popular cover band today. Tampa~St. Pete were home before expanding statewide Florida in 2005. Their unique arrangements and fresh rock and roll licks drew a loyal following spanning the state. Formerly: The Affordables Booking agent: Joe: 813.681.1330 Sampling Six includes (1) Rock Me Baby - Written by B B King (2) Born on the Bayou - Written By Creedence Clearwater Revival (3) Hard To Handle - By Otis Redding (-) Introductions to the band - The Smokers (4) Darlin You Know I Love You - By B.B. King (5) Long Train Running Lyrics - By The Doobie Brothers (6) Will It Go Round In Circles - By Billy Preston (bonus cut) Funky Broadway - By Wilson Pickett - ~~~ Lyrics Rock Me Baby B.B. King Rock me baby, rock me all night long Rock me baby, honey, rock me all night long I want you to rock me baby, like my back ain't got no bone Roll me baby, like you roll a wagon wheel I want you to roll me baby, like you roll a wagon wheel Want you to roll me baby, you don't know how it makes me feel Rock me baby, honey, rock me slow Yeah, rock me pretty baby, baby rock me slow Want you to rock me baby, till I want no more ~~~ Born on the Bayou Creedence Clearwater Revival Now, when I was just a little boy, Standin' to my Daddy's knee, My poppa said, "Son, don't let the man get you Do what he done to me." 'Cause he'll get you, 'Cause he'll get you now, now. And I can remember the fourth of July, Runnin' through the backwood, bare. And I can still hear my old hound dog barkin', Chasin' down a hoodoo there. Chasin' down a hoodoo there. CHORUS: Born On The Bayou; Born On The Bayou; Born On The Bayou. Wish I was back on the Bayou. Rollin' with some Cajun Queen. Wishin' I were a fast freight train, Just a chooglin' on down to New Orleans. CHORUS Do it, do it, do it, do it. Oh, Lord. Oh get back boy. I can remember the fourth of July, Runnin' through the backwood bare. And I can still hear my old hound dog barkin', Chasin' down a hoodoo there. Chasin' down a hoodoo there. CHORUS All right! Do, do, do, do. Mmmmmmm, oh. ~~~ Hard To Handle - By Otis Redding Hey Here I am I'm the man on the scene I can give you what you want But you got to come home with me I forgot some good old lovin' And I got some more in store When I get to throw it on you You got to come back for more Toys and things that come by the dozen That ain't nothin' but drug store lovin' Hey little thing, let me light your candle' Cause mama I'm sure hard to handle, now, gets around Action speaks louder than words And I'm a man of great experience I know you got another man But I can love you better than him Take my hand, don't be afraid I'm gonna prove every word I say I'm advertisin' love for free So, you can place your ad with me Once it come along a dime by the dozen That ain't nothin' but ten cent lovin' Hey little thing, let me light your candle' Cause mama I'm sure hard to handle, now, gets around Yeah, hard to handle, now Oh, baby Baby, here I am The man on your scene I can give you what you want But you got to come home with me I forgot some good old lovin' And I got some in store When I get to throw it on you You got to come runnin' back for more Once it come along a dime by the dozen That ain't nothin' but drug store lovin' Hey little thing, let me light your candle' Cause mama I'm sure hard to handle, now, Get around Hard, hard to handle, now Oh yeah, yeah, yeah Yeah Once it come along a dime by the dozen That ain't nothin' but ten cent lovin' Hey little baby, let me light your candle' Cause mama I'm sure hard to handle, now, gets around Yeah, so hard to handle, now Oh yeah Baby, good lovin' Baby, baby, owww, good lovin' I need good lovin' I got to have, oh yeah, yeah, yeah Yeah So hard to handle, now, yeah Um-um-um ~~~ Darlin You Know I Love You By B.B. King Darlin', darlin' you know I love you, I love you, for myself But you're gone, gone and left me for someone else I think of you, think of you every morning I dream of you, every night, and with love, love to be with you always When night began to fall, I cry, cry alone And I wish, maybe I can hold you in my arms tonight Oh, darlin', darlin' you know I love you, I love you, for myself But you're gone, gone and left me for someone else ~~~ Long Train Running Lyrics By The Doobie Brothers Down around the corner half a mile from here see them both feet run and you watch them dissapear without love where would you be now without love though i saw miss lucy down along the track she lost her home and her family and she won t be coming back without love where would you be now without love with the feeling always central and the southern central freight you got to keep on pushing mamma you know there running late without love where would you be now without love when the pistons keep on turning and go round and round and the steel reels are cold and hard and the moutain ain t no down without love where would you be now without love ~~~ Will It Go Round In Circles - By Billy Preston Will it go round in circles Will it fly high like a bird up in the sky Will it go round in circles Will it fly high like a bird up in the sky ... ~~~ Funky Broadway - By Wilson Pickett - Every town I go in There's a street, uh, huh Name of the street, uh, huh Funky funky Broadway Down on Broadway, huh There's a nightclub, now, now Name of the nightclub, now baby Funky Funky Broadway Down on Broadway There's a crowd, now, huh Name of the crowd, baby Broadway crowd Down on Broadway, yeah There's a dancestep, huh Name of the dance, Funky Funky Broadway, hey! huh Wiggle your legs now, baby Shake your head, ooh, huh Do the shing-a-ling now baby, now Shake, shake, shake now You don't know, huh, baby, now You don't know, now woman, owww! Doin' the funky Broadway, hey! Lord have mercy Oh, you got me feelin' alright Dirty filthy Broadway Don't I like the Broadway, huh That Broadway, lookit here Down on Broadway There's a woman Name of the woman, huh Broadway woman, hey! Down on Broadway, yeah There's a man, huh Name of the man (fade) ~~~ Origins of rock and roll Rock and roll began to emerge as a musical style in United States of America during the late 1940s as a combination of the rhythms of the blues, R&B, African American culture, and from America's country and western music, as well as gospel. Though elements of rock and roll can be heard in country records of the 1930s, and in blues records from the 1920s, rock and roll did not acquire its name until the 1950s. An early form of rock and roll was rockabilly, which combined the above elements with jazz, influences from traditional Appalachian folk music, and Gospel music. Going back even further, rock and roll can trace one lineage to the old Five Points, Manhattan district of mid-19th century New York City, the scene of the first fusion of heavily rhythmic African shuffles and sand dances with melody-driven European genres, particularly the Irish jig. Rocking was a term first used by black gospel singers in the American South to mean something akin to spiritual rapture. By the 1940s, however, the term was used as a double entendre, ostensibly referring to dancing, but with the subtextual meaning of sex, as in Roy Brown's "Good Rocking Tonight." This type of song was usually relegated to "race music" outlets (music industry code for rhythm and blues stations) and was rarely heard by mainstream white audiences. During the 1920s and 1930s, many white Americans enjoyed African-American jazz and blues performed by white musicians. They often objected to the music as performed by the original black artists, but found it acceptable when performed by whites. A few black rhythm and blues musicians, notably Louis Jordan, the Mills Brothers, and The Ink Spots, achieved crossover success. While rock and roll musicians increasingly wrote their own material, many of the earliest white rock and roll hits were covers of earlier rhythm and blues or blues songs. Blues would continue to inspire rock performers for decades. Delta blues artists such as Robert Johnson and Skip James also proved to be important inspirations for British blues-rockers such as The Yardbirds, Cream, and Led Zeppelin. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing this type of music for a multi-racial audience. Freed is credited with coining the phrase "rock and roll" to describe the rollicking R&B music. While working as a disc jockey at radio station WJW in Cleveland, he also organized the first rock and roll concert, called "The Moondog Coronation Ball" on March 21, 1952. The event, attended mainly by African Americans, proved a huge drawing card — the first event had to be ended early due to overcrowding. Thereafter, Freed organized many rock and roll shows attended by both whites and blacks, further helping to introduce African-American musical styles to a wider audience. There is much debate as to what should be considered the first rock & roll record. Sister Rosetta Tharpe was recording shouting, stomping music in the 1930s and 1940s that in some ways contained major elements of mid-1950s rock and roll. She scored hits on the pop charts as far back as 1938 with her gospel songs, such as "This Train" and "Rock Me", and in the 1940s with "Strange Things Happenin Every Day", "Up Above My Head", and "Down By The Riverside." Another artist who was singing hard-rocking blues/gospel to a boogie piano was Big Joe Turner, whose 1939 recording, "Roll 'em Pete," is almost indistinguishable from '50s rock and roll. Other significant records of the 1940s and early 1950s included Roy Brown ("Good Rocking Tonight", 1947), more Big Joe Turner ("Honey, Hush", 1953, and "Shake, Rattle and Roll", 1954), Paul Bascomb ("Rock and Roll", 1947), Fats Domino ("The Fat Man," 1949) and Les Paul and Mary Ford ("How High the Moon", 1951). Rolling Stone magazine argued in 2004 that "That's All Right (Mama)" (1954), Elvis Presley's first single for Sun Records in Memphis, was the first rock and roll record[2]. Bo Diddley's 1955 hit "Bo Diddley" backed with "I'm A Man" introduced a new, pounding beat, and unique guitar playing that inspired many artists. Bill Haley's "Rock Around the Clock" (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and the door was opened for this new wave of popular culture. Other artists with early rock 'n' roll hits were Chuck Berry and Little Richard, as well as many vocal doo-wop groups. Within the decade crooners such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Both rock and roll and boogie woogie have four beats (usually broken down into eight eighth-notes/quavers) to a bar, and are twelve-bar blues. Rock and roll however has a greater emphasis on the backbeat than boogie woogie. Little Richard combined boogie-woogie piano with a heavy backbeat and over-the-top, shouted, gospel-influenced vocals that the Rock and Roll Hall of Fame says "blew the lid off the '50s." However, others before Little Richard were combining these elements, including Esquerita, Cecil Gant, Amos Milburn, Piano Red, and Harry Gibson. Little Richard's wild style, with shouts and "wooo wooos," had itself been used by female gospel singers, including the 1940s' Marion Williams. Roy Brown did a Little Richard style "yaaaaaaww" long before Richard in "Ain't No Rockin no More." Early North American Rock and Roll (1953-1963) Rock and roll appeared at a time when racial tensions in the United States were coming to the surface. African Americans were protesting segregation of schools and public facilities. The "separate but equal" doctrine was nominally overturned by the Supreme Court in 1954, and the difficult task of enforcing this new doctrine lay ahead. This new musical form combining elements of white and black music inevitably provoked strong reactions. From the early 60s, Ike & Tina Turner were big Rock & Roll stars. On March 21, 1952 in Cleveland, Alan Freed (also known as Moondog) organized an early rock and roll concert, titled "The Moondog Coronation Ball". The audience and the performers were mixed in race. The evening ended after one song in a near-riot as thousands of fans tried to get into the sold-out venue. The record industry soon understood that there was a white market for black music that was beyond the stylistic boundaries of rhythm and blues. Even the considerable prejudice and racial barriers could do nothing against market forces. Rock and roll was an overnight success in the U.S., making ripples across the Atlantic, and perhaps culminating in 1964 with the British Invasion. From this early-1950s inception through the early 1960s, rock and roll music also spawned a new dance craze. Teenagers found the irregular rhythm of the backbeat especially suited to reviving the jitterbug dancing of the big-band era. "Sock-hops," gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark's American Bandstand to keep up on the latest dance and fashion styles. From the mid-1960s on, as "rock and roll" yielded gradually to "rock," later dance genres followed, starting with the Twist, and leading up to Funk, disco, house and techno. Rockabilly In 1954, Elvis Presley recorded the regional hit "That's All Right (Mama)" at Sam Phillips' Sun studios in Memphis. Elvis played a rock and country & western fusion called rockabilly, which was characterized by hiccupping vocals, slapping bass and a spastic guitar style. He became the first superstar rock musician. Elvis Presley in 1957's Jailhouse RockThe following year's "Rock Around the Clock" by Bill Haley & His Comets really set the rock and roll boom in motion. The song was one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. The song's inclusion in the film Blackboard Jungle marked the beginning of a mutually beneficial marriage of the genre to film. It had been recorded in 1954 with limited sales, but exploded in 1955 after the release of the movie, which used it in the opening sequence. If everything that came before laid the groundwork, "Clock" certainly set the mold for everything else that came after. With its combined rockabilly and R & B influences, "Clock" topped the U.S. charts for several weeks, and became wildly popular with teenagers in places like Britain, Australia and Germany. The single, released by independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. In 1957, Jerry Lee Lewis and Buddy Holly became the first rock musicians to tour Australia, marking the expansion of the genre into a worldwide phenomenon. That same year, Haley toured Europe, bringing rock 'n' roll to that continent for the first time. Covers Through the late 1940s and early 1950s, R&B music had been gaining a stronger beat and a wilder style, with artists such as Fats Domino and Johnny Otis speeding up the tempos and increasing the backbeat to great popularity on the juke joint circuit. Before the efforts of Freed and others, black music was taboo on many white-owned radio outlets. However, savvy artists and producers quickly recognized the potential of rock, and raced to cash in with white versions of this black music. White musicians also fell in love with the music and played it everywhere they could. Many of Presley's early hits were covers, like "That's All Right", "Baby, Let's Play House", "Lawdy Miss Clawdy" and "Hound Dog". Covering was customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect [4]). One of the first successful rock and roll covers was Wynonie Harris's transformation of Roy Brown's "Good Rocking Tonight" from a jump blues to a showy rocker. The most notable trend, however, was white pop covers of black R&B numbers. Exceptions to this rule included Wynonie Harris covering the Louis Prima rocker "Oh Babe" in 1950, and Amos Milburn covering what may have been the first white rock and roll record, Hardrock Gunter's "Birmingham Bounce," in 1949. Black performers saw their songs recorded by white performers, an important step in the dissemination of the music, but often at the cost of feeling and authenticity (not to mention revenue). Most famously, Pat Boone recorded sanitized versions of Little Richard songs, though Boone found "Long Tall Sally" so intense that he couldn't cover it. Later, as those songs became popular, the original artists' recordings received radio play as well. Little Richard once called Pat Boone from the audience and introduced him as "the man who made me a millionaire." The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of "Shake, Rattle and Roll" transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, while Georgia Gibbs replaced Etta James's tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer, Hank Ballard's "Work With Me, Annie." Teen Idols In 1959, Buddy Holly, Ritchie Valens, and the Big Bopper (J.P. Richardson) were killed when a plane Buddy Holly had chartered from Mason City, Iowa, to Fargo, North Dakota crashed in a corn field, after a performance at the Winter Dance Party. Buddy Holly, fed up with the conditions on the buses, decided to charter a small plane for himself and the Crickets to get to the next show on time, get some rest, and get their laundry done. After the February 2, 1959 performance at the Surf Ballroom in Clear Lake, Iowa, Holly, Richardson (who pleaded with Waylon Jennings for his seat because he was stricken with flu), and Valens (who had won Tommy Allsup's seat after a coin toss), were taken to Clear Lake airport by the manager of the Surf Ballroom. The plane, a four-passenger Beechcraft Bonanza, departed into a blinding snowstorm and crashed into farmer Albert Juhl's cornfield shortly after takeoff. The crash ended the lives of all three passengers, as well as the 21 year-old pilot, Roger Peterson. This event inspired singer Don McLean's popular 1971 ballad "American Pie", and immortalized February 3 as "The Day the Music Died". The event also inspired the Tommy Dee song "Three Stars", which specifically mentions Buddy Holly, the Big Bopper, and Valens. Besides Elvis Presley, Holly, Valens, and Richardson were known as three of the first rock and roll teen idols. They were followed by other artists with massive appeal to a teenaged audience, such as Paul Anka, Ricky Nelson, Frankie Avalon, the Beatles, and later, the Monkees. Teen idols were not only known for their catchy pop music, but good looks also played a large part in their successes. It was because of this that certain fan magazines, exclusively geared to the fans of teen idols (16 Magazine, Tiger Beat, etc.), were created. These monthly magazines typically featured a popular teen idol on the cover, as well as pin-up photographs, a Q&A, and a list of each idol's "faves" (i.e. favorite color, favorite vegetable, favorite hair color, etc.). Teen idols also influenced toys, Saturday morning cartoons and other products. At the height of each teen idol's popularity, it was not uncommon to see Beatle wigs, Davy Jones' "love beads", or perhaps even Herman's Hermits lunchboxes for sale. British Rock and Roll The trad jazz movement brought blues artists to Britain, and in 1955 Lonnie Donegan's version of "Rock Island Line" began skiffle music which inspired many young people to have a go, including John Lennon and Paul McCartney, whose "The Quarrymen", formed in March 1957, would gradually change and develop into The Beatles. These developments primed the United Kingdom to respond creatively to American rock and roll, which had an impact across the globe. In Britain, skiffle groups, record collecting and trend-watching were in full bloom among the youth culture prior to the rock era, and colour barriers were less of an issue with the idea of separate "race records" seeming almost unimaginable. Countless British youths listened to R&B and rock pioneers and began forming their own bands. Britain quickly became a new center of rock and roll. In 1958 three British teenagers became Cliff Richard and the Drifters (later renamed Cliff Richard and the Shadows). The group recorded a hit, "Move It", marking not only what is held to be the very first true British rock 'n' roll single, but also the beginning of a different sound — British rock. Richard and his band introduced many important changes, such as using a "lead guitarist" (virtuoso Hank Marvin) and an electric bass. The British scene developed, with others including Tommy Steele, Adam Faith and Billy Fury vying to emulate the stars from the U.S. Some touring acts attracted particular popularity in Britain, an example being Gene Vincent. This inspired many British teens to begin buying records and follow the music scene, thus laying the groundwork for Beatlemania. At the start of the 1960s, instrumental dance music was very popular. Hits such as "Apache" by The Shadows and "Telstar" by The Tornados form a British branch of instrumental music. Social Impact The massive popularity and worldwide scope of rock and roll resulted in an unprecedented level of social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have helped the cause of the civil rights movement because both African American teens and white American teens enjoyed the style of music. It also birthed many other rock influenced styles. Progressive, alternative, punk, and heavy metal/rock are just a few of the genres that sprang forth in the wake of Rock and Roll. Contributed by Bill Stoll StollCo Video - 2007 Tampa FL Tags: rock and roll blues band

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Editors - Smokers@fortezza - firenze - 25.07.08 Editors live at Fortezza da Basso in Florence Tags: editors firenze fortezza da basso live

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Editors - Smokers Outside The Hospital Doors (Melkweg) Editors perform the track 'Smokers Outside The Hospital Doors', taken from their 2nd album An End Has A Start, live at the Melkweg in Amsterdam. Tags: Editors Smokers Outside The Hospital Doors live Melkweg Amsterdam 3voor12

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The Smokers Some clips from The Smokers that I liked. Sorry about the bad quality. Tags: Dominique Swain Busy Phillips Thora Birch Smoking Cigarettes Drugs

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Smokers die younger! Than who? The statements placed on UK cigarette packs are meaningless. They are worded for maximum shock value without any real substance. They are just a load of bollocks. Tags: lies false fraud crime criminal prosecute truth ash junk science statistics smoking cigarettes ban

Benützer: 893TheCurrent

Editors -- Smokers Outside The Hospital Doors Editors stop by the 89.3 studios and play Smokers Outside The Hospital Doors off their 2007 release "The End Has A Start". http://minnesota.publicradio.org/display/web/2008/01/29/editors/ Tags: editors smokers theendhasastart tomsmith kitchenware thecurrent 893 instudio

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Smokin' Mexico - BLACK SMOKERS BLACK SMOKERS italian psycho blues duo. Images taken from a 1931 Betty Boop cartoon. check out on www.myspace.com/blacksmokers Tags: black smokers blacksmokers

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FUMAROLAS NEGRAS (BLACK SMOKERS) Y EL ORIGEN DE LA VIDA EARTH STORY "La tectónica de placas - márgenes constructivos" GEOESFERA (docu BBC) (V.D.C.) Tags: ciencia geologia black smoker pillow lava almohadillada basalto bacterias dorsal oceanica deposito hidrotermal evolucion

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Editors - Smokers Outside The Hospital Doors - Lowlands 2008 The Editors met Smokers Outside The Hospital Doors live op Lowlands 2008 Tags: editors smokers outside the hospital doors lowlands 2008 biddinghuizen 3fm 3voor12 campingflight

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SMOKERS DIE YOUNGER live at Douai, France 1.I SPY DRY FEAR One of the most crazy and interesting band in UK at the moment. They were touring France in November 2006 with another great Sheffield band, CHAMPION KICKBOXER. Both bands are on the NORTHERN SOUNDS COMPILATION released by MUSIC TRANSFER PROTOCOL. More info at: www.myspace.com/musictransferprotocol Tags: smokers die younger northern sounds music transfer protocol sheffield band live france douai

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Smokers Delight This is a social commentary on smoking. This is a class project required for posting. We used sequential still shots for the entirety of this video. Tags: Smoke smoking coughing cigarettes cigarette cough lighter short film animation boulder colorado documentary art sex

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Editors - Smokers Outside The Hospital Doors Editors Smokers Outside The Hospital Doors (C) 2007 Kitchenware Records Limited under exclusive license to SONY BMG MUSIC ENTERTAINMENT (UK) Limited Tags: Editors Smokers Outside The Hospital Doors Pop Music Video

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Editors -Smokers Outside The Hospital Doors - Porto 3.4.08 .: Editors .: Smokers Outside The Hospital Doors .: Coliseu, Porto 03.04.08 Tags: editors porto smokers coliseu

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Steve Martin - Smokers He lit the cigarette and smoked it down to the filter in one breath. He silently thanked the cigarette company for being thoughtful enough about his health to include a filter to protect him. So he lit up another. This time he didn't exhale the squeaky-clean filtered smoke, but just let it nestle in his lungs, filling his body with that good menthol flavor. Some more smokers knocked on his door and they came in and all started smoking along with him. "How wonderful it is that we're all smoling," he thought. Everyone smoked and smoked and after they smoked they all talked about smoking and how nice it was that they were all smokers and then they smoked some more. Tags: steve martin smoking smokers cigarette funny comedy standup stand up lets get small

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Smokers' Helpline Smokers' Helpline is a free, confidential, service that provides personalized support, advice and information about quitting smoking. Tags: quit smoking

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Editors - Smokers Outside The Hospital Doors [VideoClip] the greatest song of Editors Tags: Editors indie rock alternative romantic smokers outside hospital doors official video awesome best england quality

Benützer: saintsluggo

Revenge of the Non-Smokers Take an old movie serial, add a new voice over by the Firesign Theatre and you have some very funny stuff. Tags: Revenge of the Non-Smokers firesign theatre hot shots serials serial cliffhanger spy smasher

Benützer: billstoll

Smokers play Lowry Park - Tampa FL Concert In the Park Under the stars at the Lowry Park (Band Shell) Tampa. Friday, April 25, 2005 THE SMOKERS Blues and Classic Rock Presented by The Tampa Tribune, WFLA and TBO.com, the series features "The Smokers" ~ Tampa's blues and rock sensation. They are Cream, the Allman Brothers and the best of classic blues and rock, rolled into a three man band. The concert will be shown on Tampa Television, Channel 15 and 615 on the Friday - May 2nd - at 6 p.m. WHERE: Lowry Park Band Shell, 7530 N. Boulevard (corner of Sligh Avenue and North Boulevard), Tampa Florida. Food and beverages will be offered at the park; Q105 sponsored; picnics allowed; pets too. TICKETS Special thanks to the Arts Council of Hillsborough County, The Friends of Tampa Recreation, Skipper's Smokehouse Talent, Jane's World Entertainment and Frank Giglio Entertainment. The Smokers are Tampa Bay's hottest band! The Smokers Joe Saputo on Guitar and Vocals Rich Castellano on Bass and Vocals Bill Bryant on percussion and vocals Please contact Joe (813) 681-1330 for booking info email at: Saputo@TampaBay.rr.com www.TheSmokersBand.com Hear The Smokers Smokers on YouTube Also Featured: Peggy Castellano, Ken Castellano, and Liz Castellano StollCo Video Bill Stoll Tags: Blues Rock Fusion Concert Live Tampa St. Petersburg

Benützer: smokerbass

Smokers - CrossRoads (blues rock) Live at Lowry Classic Rock & Blues Contact Joe @ (813)681-1330 for booking info Concert In the Park Under the stars at the Lowry Park (Band Shell) Tampa. Friday, April 25, 2005 THE SMOKERS Blues and Classic Rock Presented by The Tampa Tribune, WFLA and TBO.com, the series features "The Smokers" ~ Tampa's blues and rock sensation. They are Cream, the Allman Brothers and the best of classic blues and rock, rolled into a three man band. The Smokers are Tampa Bay's hottest band! Joe Saputo on Guitar and Vocals Rich Castellano on Bass and Vocals Bill Bryant on percussion and vocals Please contact Joe (813) 681-1330 for booking info email at: Saputo@TampaBay.rr.com www.TheSmokersBand.com Hear The Smokers Smokers on YouTube Blues Rock Fusion Concert Live Tampa St. Petersburg Cross Road Blues "Cross Road Blues" "Cross Road Blues" is one of Delta Blues singer Robert Johnson's most famous songs. The lyrics plainly have the narrator attempting to hitch a ride from an intersection as darkness falls. But in close association with the mythic legend of Johnson's short life and death, it has come to represent the tale of a blues man going to a metaphorical crossroads to meet the devil to sell his soul in exchange for becoming a famous blues player. Because of the historical significance of "Cross Road Blues", it was inducted into the Grammy Hall of Fame in 1998. Legend and Interpretation While the legend of Robert Johnson selling his soul to the Devil is fascinating and evocative, the song itself plainly describes the very real, harrowing situation feared by Johnson and other African Americans in the Deep South in the early 20th century. Historian Leon Litwack has suggested that the song refers to the common fear felt by blacks who were discovered out alone after dark. As late as 1930s in parts of the South, the well-known expression, "Nigger, don't let the sun go down on you here," was, according to Litwack, "understood and vigorously enforced." In an era when lynchings were still common, Johnson was likely singing about the desperation of finding his way home from an unfamiliar place as quickly as possible because, as the song says, "the sun goin' down, boy/ dark gon' catch me here." This interpretation also makes sense of the closing line "You can run/ tell my friend poor Willie Brown/ that I'm standing at the crossroads" as Johnson's appeal for help from a real-life fellow musician."[2] The legend of Johnson selling his soul to learn to play guitar is said to have taken place in Rosedale, Mississippi, at the intersection of Highway 8 and Highway 1 (33°50′44″N 91°1′39″W / 33.84556, -91.0275). Another, less common, belief is that the crossroad is at the intersection of Highway 49 and Highway 61 in Clarksdale, Mississippi.[1] Covers Smokers "Crossroads" Released January 2007 Format CD Recorded Lowry Park Length 4:11 Cream "Crossroads" Single by Cream from the album Wheels of Fire B-side "Passing the Time" Released January 1969 Format 7" 45 RPM Recorded Winterland Ballroom, San Francisco Genre Blues rock, Hard Rock Length 4:14 Label Polydor Writer(s) Robert Johnson Producer Felix Pappalardi Cream singles chronology "White Room" (1969) "Crossroads" (1969) "Badge" (1969) In 1968, Cream recorded a live version of the song at the Winterland Ballroom, for inclusion on their double album Wheels of Fire. Arranged by guitarist Eric Clapton, the Cream version had a faster tempo than the original, and included two lines borrowed from Johnson's "Traveling Riverside Blues." Many believe the song is about the original songwriter, Robert Johnson, going to the crossroads to sell his soul to the devil in exchange for being able to play the blues and gain fame. Another Delta bluesman, Tommy Johnson, who was unrelated to Robert claimed that he actually did that. This is consistant with African religious beliefs about Papa Legba. Some historians believe the song is actually about an African-American worried about being lynched for being out after dark in an unfamiliar place of the Deep South in the early 20th century. (See Chapter Eight of Leon F. Litwack, Trouble in Mind: Black Southerners in the Age of Jim Crow (New York: Vintage Books, 1998), especially pages 410 and 411.) Unlike Cream's usual arrangement with bassist Jack Bruce singing, guitarist Eric Clapton took the vocals on this recording. Clapton's explosive guitar solos cemented his reputation as a guitar legend; his work from the track was named by one critic the greatest live rock solo ever. Bruce's fluid bass playing, blurring the line between rhythm and melody, has been similarly honored as the second-best live bass performance. It was placed at #409 on the 2004 List of Rolling Stone's 500 Greatest Songs of All Time. Blues Blues genres • Blues musicians • Blues scale • Jug band • Origins Tags: Blues Rock Fusion Concert Live Tampa St. Petersburg

Benützer: ShaneMurphy

Smokers Cough Yet another older short film by myself and Brandon Depaolo. About a man on a slide dealing with the pressure and temptaion to smoke a cigarette. Tags: smoke cough chicago cigarettes indiana brandon depaolo shane murphy camel short film home video black white wierd random

Benützer: reelsmokers

Reel Smokers' Cigar Party A party that was hosted by Reel Smokers, located at 504 South Federal Highway, Deerfield Beach. Reel Smokers offers the best in Luxury Cigars, Fine Wines, and Smoking Accessories. Tags: smoke shop merchant reel smokers cigar wine fine accessories smoking drinking party deerfield beach south florida

Benützer: paparacione

Innocent Cuties - Smokers (2). Medley Several smoking candids at the swimming pool, at the beach and on the streets. Tags: Array

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