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FrontEndAudio

Benützer: FrontEndAudio

Tascam VL-A5 Powered Studio Monitor TASCAM'S latest breakthrough for home recording is the VL-A series, a value-priced lineup of great-sounding reference monitors. The VL-A5 is a 5" two-way reference monitor that's self-powered and employs balanced TRS/XLR combination inputs. A deep-cabinet design with front-mounted bass ports extends the low end beyond similarly priced units. High-and low-frequency controls on the VL-A5 allow the user to tailor the monitor's response to their own studio. Tags: Tascam VL-A5 Powered Studio Monitor

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Great River ME-1NV Preamp The ME-1NV (single channel mic preamp) greatly modernizes and improves classic British design. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products, with the ability to fine-tune gain effects like 1970's-era 1073's. Transparency and vintage harmonic structure are both achieved with NV-Series preamps. The ME-1NV achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via FET through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A "big iron" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument. Tags: Great River ME-1NV Preamp

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Yamaha HS80M 8" HS Series Powered Studio Monitor The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too. Tags: Yamaha HS80M 8" HS Series Powered Studio Monitor

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Yamaha MSP3 Powered Studio Monitor Yamaha MSP3 Powered Studio Monitor Tags: Yamaha MSP3 Powered Studio Monitor

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A Designs EM Silver Preamp 500 Series Module A Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the Quad Eight Sound. Each has its own unique character. Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings. The EM Silver has a custom wound steel output transformer which will translate into a darker sound than the P-1, EM-Red, and EM-Blue. We find the EM-Silver to be a very good match with Ribbon Microphones. This is a good combination due to the fact that steel transformers were widely used in the early days of recording and broadcast along with ribbon microphones. It depends on which ribbon you have or use which will determine the sound/color/flavor you will receive. With todays influx of ribbon microphones there is a wide choice of character range available for you to determine which tone you are looking for or need. Another feature of the EM-Silver is a DI (direct inject) for use with electric instruments. We find that this is a great pre for Bass Guitar and Keyboards. Also, you may like to try the EM-Silver (depending on microphone) for your kick when recording drums! This is a very versatile tool for any recording situation. Tags: Designs EM Silver Preamp 500 Series Module

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Black Lion Audio MicroClock Word Clock Generator The Black Lion Audio Micro Clock is a small (3x4) external word clock generator designed to be used in home and project studio environments. It has six selectable sampling rates (44.1 kHz-192 kHz) and three 75 ohm BNC outputs. With all of our products, we feel that a tremendous challenge exists to design things that offer an unparalleled price to performance ratio. The Micro Clock is no exception. It competes with master clocks that cost several times its price, and has managed to impress many of our customers, including award winning film scoring and mix down engineers. Tags: Black Lion Audio MicroClock Word Clock Generator

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Roll Music RMS5A7 Tubule Tube Microphone Preamp Roll Music Systems Inc introduces new RMS5A7 tube microphone preamplifier or "Tubule" in 500-series modular format. Roll Music Systems, manufacturer of the popular RMS216 Folcrom passive summing device and the acclaimed RMS755 Super Stereo compressor, are set to release their next innovative new product. The Tubule is a real transformer-coupled tube mike preamp, getting all its amplification from a standard dual triode tube. It uses sophisticated modern power management circuitry to generate the high-voltage plate supply and the high-current heater supply to power the tube. Careful design of this high-efficiency power management circuitry has allowed for a preamp that fits within the space and power consumption limitations of a single module. Tags: Roll Music RMS5A7 Tubule Tube Microphone Preamp

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A Designs EM Gold Preamp 500 Series Module A Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the Quad Eight Sound. Each has its own unique character. Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings. The EM Gold is our latest pre-amplifier of the EM Series. We took the custom wound output transformer of the EM-Silver and combined it with the custom wound input transformer of the EM-Red. The results here made for the perfect sound on a floor tom! It also produced great results with a number of microphones for vocals, Bass, and MP3/Drum Machines. We can say that the EM-Gold produces the dark end of the EM-Silver with more up front mids. Tags: Designs EM Gold Preamp 500 Series Module

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A Designs EM Red Preamp 500 Series Module The EM Red comes with a 50/50 output transformer. A Designs Audio added a little kick to this one by changing the Input Transformer, as well. The results translates into more Up Front Mids! You may find this very useful when recording acoustic guitar with a condenser microphone. As with all the A Designs Audio modules, there is a 48v Phantom Power Switch. With all the new condenser microphones on the market in a very wide price range, the engineer or musician now has limitless possibilities to choose from in their endless search for their perfect sound. You may also like to use the EM-Red for recording Toms, both rack and floor. Tags: Designs EM Red Preamp 500 Series Module

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A Designs P1 Preamp 500 Series Module A-Designs Audio P1 Details A Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the Quad Eight Sound. Each has its own unique character. Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings. The P-1 is based on our highly successful Pacifica. Tags: Designs P1 Preamp 500 Series Module

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A Designs EM Blue Preamp 500 Series Module A Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the Quad Eight Sound. Each has its own unique character. Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings. The EM Blue is equipped with a Nickel custom wound output transformer. This translates into Highs which will produce a much more airy top-end-ish tone. Used with a dark sounding microphone or a alto vocalist it can produce a heavenly sound. You will also find this pre useful for recording a snare drum for a crisp crack sound. And if you use the DI Feature you just might want to hear what an electric guitar sounds like going thru the nickel transformers. As with all the A Designs Audio modules, there is a -20dB PAD Switch. So, to get down and dirty with an electric guitar you will want to pad your input and crank the gain for a slight growl. Tags: Designs EM Blue Preamp 500 Series Module

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Universal Audio LA-3A Dual Classic Audio Leveler The original LA-3A Audio Leveler made its debut at the 1969 NY AES show and marked the departure from the tube design of the Teletronix LA-2A Leveling Amplifier. The LA-3A incorporated components and design concepts from the Putnam-designed 1176LN Limiting Amplifier. Immediately embraced as a studio workhorse and still widely used today, the LA-3A remains a favorite of engineers and producers worldwide for its unique compression characteristics and sonic signature. Tags: Universal Audio LA-3A Dual Classic Leveler

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Heil PR-22 Vocal Microphone The Heil PR 22 represents completely new dynamic microphone technology designed for a wide range of professional applications such as live sound, commercial broadcast, and sophisticated recording. Its wide frequency range and outstanding low handling noise outperforms the tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. For example, the gorgeous upper mid-range makes the PR 22 the absolute best live vocal microphone, while its outstanding frequency response and superb dynamic range suit it perfectly for use with a snare drum. Tags: Heil PR-22 Vocal Microphone mics recording studio audio

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Heil PR-30 Dynamic Broadcast Microphone From the Professional division of Heil Sound, Ltd., we present the Heil PR-30, a professional quality dynamic cardioid microphone designed for commercial broadcast, recording and live sound reinforcement applications which require a smooth flat response over a wide frequency response. The PR-30 has a comparable sound to the finest condenser microphone because of it's wide frequency response, excellent transient response and low IMD. Following a 20 year Heil tradition, the new Heil PR-30 exhibits gorgeous natural speech articulation without having to apply heavy electronic equalization. Truly one of the most natural and pleasant sounding dynamic microphones, ever. Tags: Heil PR-30 Dynamic Broadcast Microphone

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Universal Audio LA-610 Classic Tube Recording Channel The LA-610 brings UA's legendary vintage "all tube" luxury sound into a modern channel strip format by combining the 610 Mic-Pre/EQ/DI section and a T4 Opto-compressor into a single 2U unit with a ground-breaking price. The 610-tube preamp,DI and EQ is from UA's TEC award winning 6176 and is based on the legendary console modules developed by Bill Putnam in the 60's. Countless classics have been recorded using these preamps, noted for their musical character and warmth. Tags: Universal Audio LA-610 Classic Tube Recording Channel

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Heil PR-40 Dynamic Studio Broadcast Microphone Heil Sound has established a reputation for innovation during the past 37 years in the live concert sound market, custom home theater industry and building the highest quality microphones for the amateur radio and communications market. Heil now enters the commercial broadcast and recording studio market with technological breakthrough products never before achieved or equaled. Bob Heil introduces his incredible Heil PR-40 featuring the new technology of the Heil DM 6 dynamic element with response down to 28 Hz. and stays perfectly flat up through 18kHz. with a beautiful mid range rise giving this new microphone gorgeous vocal articulation. It truly outperforms many of the current microphones that all use at least 30 year old technology. Gorgeous craftsmanship, high quality components and a beautiful champagne luster finish with the most articulate, natural sound from a dynamic, the Heil PR-40 will soon become the sound industry standard. Tags: Heil PR-40 Dynamic Studio Broadcast Microphone

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Universal Audio 6176 Vintage Channel Strip Advances in digital recording technology are providing users with tremendous power and flexibility for increasingly less money. All too often, however, the audio quality of these systems is limited by their input stages. Many users who demand the power and flexibility of today's recording technology find themselves yearning for the warmth and tone of yesteryear's hand-built analog circuitry. Now with the release of the 6176, Universal Audio, for the first time, combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single channel signal path for everything from vocals to vibraphones. Tags: Universal Audio 6176 Vintage Channel Strip

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Universal Audio 1176AE Anniversary Ed. Limiting Amplifier Celebrating a decade of Universal Audio's refounding and just over 40 years since the birth of the 1176, the 1176AE Anniversary Edition is a custom, limited-run, "hod-rodded" version of the world's most recognized studio limiter—only 500 1176AE units will be made available worldwide. Giving the product another sonic distinction, the ratio selections hearken back to the 1176's predecessor the UA 176 Limiting Amplifier. The 1176AE offers a gentler ratio array of 2:1, 4:1, and 8:1 perfect for compression duties—but also preserves 20:1 at the top, for full limiting applications. This ratio modification also allows for a unique range of multi-button ratio combinations, pushing the unit beyond the famous "all-button" mode of the standard unit. Tags: Universal Audio 1176AE Anniversary Edition Limiting Amplifier Front End

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Universal Audio LA-2A Classic Leveling Amplifier Universal Audio LA-2A Details Audio professionals passionate about their compressors revere the LA-2A. The original was immediately acknowledged for its natural compression characteristics. A unique electro-optical attenuator system allows instantaneous gain reduction with no increase in harmonic distortion -- an accomplishment at the time, still appreciated today. Universal Audio now announces the rebirth of the Teletronix LA-2A, a Universal Audio Classics product. Painstaking care has been taken to ensure that every new LA-2A provides the performance and characteristics of the original. Each unit is hand built, each component carefully evaluated for authenticity. No expense has been spared to guarantee that this LA-2A will bring that classic sound to your recording. Demand the original. Accept no copy. Tags: Universal Audio LA-2A Classic Leveling Amplifier Compressor Front End

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Universal Audio Solo/610 Tube Mic Preamp & DI The SOLO/610 delivers the classic Putnam 610 console sound to the single channel format in a rugged, highly versatile form factor, at a price every project studio can afford. The all-tube SOLO/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen. The SOLO/610 will flatter the cheapest to the most esoteric microphone with its signature sound. Unlike stationary rack gear, the SOLO/610 can be conveniently used in the control room or recording room, on stage or desktop, due to its portable "go anywhere" design. Functionally lean but sonically mean, the SOLO/ 610 was carefully created to maintain all of the character of its vintage predecessor, and has the same solid build and audiophile components professionals expect from its more expensive UA siblings like the 2-610 and M610. Tags: Universal Audio Solo 610 Tube Mic Preamp DI Microphone UA

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Safe Sound Audio P1 Audio Processor @ FrontEndAudio.com Our very first product ever sold, the P1 is more fun to use than ever! THE ultimate vocal tracking box, plus a great D.I. make this thing a Swiss army knife...well if Swiss Army knives were hand assembled in the UK! Front End Super low noise wide bandwidth microphone input with more than 70dB gain, really good for those fantastic old ribbon mics. High Impedance instrument input. Balanced Line Input. Really easy to use single gain knob for all three inputs. Insert Jack Plug in your favorite effects unit. Expander A studio quality expander that's really easy to use. Beautifully smooth noise reduction or use it as a gate to kick some life into a drum track. Compressor This is the SMOOTHEST compressor on the planet. If you love compressors which distort and pump, then SORRY this is not for you. The P1 compressor is super smooth using a multistage design called peakride. Very fast when required to be but always in control and never bad tempered! Fully adjustable THRESHOLD, RATIO and ATTACK. 'Follow audio' controlled release time and automatic gain make-up complete the picture. Limiter We don't use the words 'world class' lightly! We believe this is the most sophisticated 100% analogue limiter on sale today. True 'look ahead' limiting which allows a potential overload to be caught BEFORE IT OCCURS but with absolutely no latency. This is STEALTH PROTECTION against digital overloads entering your hard disk based recording system. What's more there's absolutely no adjustment necessary in daily session use. Set once and forget. Output Stage Balanced output stage with +21dBu drive capability. Zero latency Monitoring Really convenient headphone monitoring during track laying and overdubs. Level blend your 'new take' source material with your 'off disk' playback for the ideal monitor mix. The Power Supply System The P1 houses a 100% analogue power supply unit with a super high quality toroidal power transformer feeding three 100% linear power voltage regulators. No nasty switched-mode power stages here we promise! Tags: Safe Sound Audio P1 Processor Compressor Limiter Front End FrontEndAudio.com recording Studio daw

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Chameleon Labs TS-2 Tube Microphone @ FrontEndAudio.com The TS-2 is a unique multi-pattern large diaphragm tube condenser microphone. The accompanying power supply features adjustable filament voltage to give you control over your tone. Adjustment of the HEATER VOLTAGE control will allow custom tailoring of the microphone to your exact requirements. A precision meter allows you to easily replicate a customized sonic setting.The TS-2 also featuresa continuously variable pattern selector on the mic body. This allows you to alter the polar pickup pattern of the microphone from omni-directional thru cardioid to figure eight. This allows adjustment of pick up field to your environment instead of the microphone dictating your microphone placement. The TS-2 performs exceptionally well as a warm vocal microphone, providing the detail necessary when recording the human voice. It is equally precise when recording guitar and bass cabinets. The TS-2's continuously variable pattern selector enables you to alter the polar pattern of the microphone from omni, through cardioid, to figure eight. This added functionality allows for smooth adjustment of pick up field to your environment instead of the microphone dictating your microphone placement. Tags: Chameleon Labs TS-2 Large Diaphragm Tube Condenser Microphone FrontEndAudio front end audio mics recording studio daw

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Speck Electronics ASC 4 Band Equalizer @ FrontEndAudio.com The Model ASC is a professional single channel 4 band equalizer in a 1/2 rack format. It is simple...it is useful...and it delivers the high quality and specifications found in all Speck Electronics gear. That Classic Sound - You'll hear none of the thinness and edginess experienced with some other outboard EQ devices. The Speck Model ASC is reminiscent of vintage equalizers, revered for their dynamic range and musical performance. The Front Panel - This compact 4 band parametric equalizer has 12 controls for equalization adjustment that covers the audio spectrum from a low 20Hz all the way up to 25kHz. There is a - 12/+6 dB gain control that handles the level variations when patching between balanced and unbalanced gear. A bypass switch silently removes the equalizer from the audio path. The Rear Panel - Connect the ASC to virtually any line level source: balanced, unbalanced, or mixer inserts. The Model ASC has high headroom that will handle balanced signals up to +28dBu. To enhance the classic EQ experience, the Model ASC offers balanced transformer and active balanced outputs. You are currently viewing the ASC-T which includes the transformer option. The Model ASC is best used with the MicPre 5.0 since the mic preamps already has the transformer output as standard. Tags: Speck Electronics ASC Band Equalizer EQ FrontEndAudio Front End Audio Recording Studio daw

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Chameleon Labs TS-1 Condenser Microphone @ FrontEndAudio.com The TS-1 is a small diaphragm tube condenser microphone, unique in design, and versatile in application. Driven by newly designed vacuum tube electronics, the TS-1 provides an unmatched combination of sparkle and warmth without the overly bright sonic qualities of other leading pencil condensers. The TS-1 is excellent for accurately capturing a wide variety of instruments including stringed, percussion, wind instruments, and more. This microphone responds extremely well to transients. It performs flawlessly when recording toms and snares, or being used as an overhead pair. Included with the TS-1 are two interchangeable capsules, one cardioid, and the other an omni. The cardioid capsule is best used when you desire to pick up specific sound sources, such as one guitar within an ensemble. The omni capsule is used when you wish to pick up a wider area, such as a group of instruments. The TS-1 is a plate loaded, triode-strapped, pentode design using the 5840 tube. With its capsules designed to withstand up to 130dB SPL, the TS-1 can be used in very loud sonic environments without significant distortion. Tags: Chameleon Labs TS-1 Condenser Microphone FrontEndAudio Front End Audio Mics recording studio daw

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SE Electronics Reflexion Filter @ FrontEndAudio.com The SE Reflexion Filter is basically a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a 'dry' vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recording device, or in rehearsal studios to reduce ambient noise. The SE Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy. The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter. The stand assembly comprises a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position. Tags: SE Electronics Reflexion Filter Front End Audio FrontEndAudio acoustics recording studio

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Summit Audio TLA-50 Mini Tube Leveler @ FrontEndAudio.com Array Tags:

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