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Baba Taher Ensemble (5/6) - Instrumental Magham-s Magham Djelow Shahi and Bayeh Bayeh. In respect to Amrollah Shah Ebrahimi who was Seyyed Khalil's master, this setting shows Sahneh Tanpur style which is, with Gooran Tanpur style, the most important schools of Tanpur playing in the region around Kermânshâh. This setting ends with a faster piece composed by Seyyed Khalil Ali Nejad : Showgh-e Eshgh (love desire). Tags: iran tanbur darvish love kord kurd sufi nazeri daf ahl haq soufi maqam tambur

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M. SHIRKHODAYI - radif on clarinet Segah - shahgusheh Mokhalef in Masnavi style. Master Hassan Kassayi introduces him : "the fondement of Music is resumed in just one word : it's musician soul burning which can impress listener's heart ; only Candle knows why Butterfly gives his soul". Mohammad Shirkhodayi, târ and clarinet player, born in Tehran, 1926. At age of 15 he entered in Tehran Music Academy, and there, on Ali Naghi Vaziri and Ruhollah Khaleghi's advice, he started to study târ. He performed as a solist on Tehran Radio (created in 1940) at the age of 19 ; then he became a member of famous R. Khaleghi's Academic Orchestra. During first "Golhâ" (Golhâ-ye djâvidân) performances on radio, director Davood Pirniâ asked him to play clarinet ; Shirkhodayi's beginning's on this instrument were so amazing that he then specialized on clarinet. He recorded with the most famous musicians in his time, from Gholam Hossein Banan to Hossein Tehrani through Abolhassan Saba. His works along with those of Hosseinali Vaziritabar contribute to the creation of a radif for clarinet. He worked all his life as an expert for different regional Music Academies in Iran. [Rizepor's comments] Tags: iran Kasayi Kassayi masnavi esfahan isfahan clarinet radif golha authentic master Khaleghi Vaziri Pirnia ney Shirkhoda

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ShahMirza Moradi Se-Pâ and Do-Pâ - Shahmirzâ Morâdi (Sornâ) and Rezâ Morâdi (Dohol). Shahmirza Moradi was born in 1924 and lived in Dorood, Lorestan. In this country, a musician's craft usually passed down through the family. Musicians used to be and still are the guardians of the musical culture of Lorestan. ShahMirza recounts : " ... In family like mine, the children are stepped into music from the earliest age. When I was still a child, I used to accompany my uncle AliReza Moradi who played the kamantcheh, on the tombak ; it was from him that I learned to play these two instruments. My father played the Sorna and was very well-knowned in Lorestan. Right from the start, it was my dearest wish to play the Sorna ; I used to go with my father to help him when he became tired at all that gatherings at which he used to play. In this way, my ear became accustomed and trained to the sound of Sorna, but at the time I wasn't strong enough to play this instrument. I was 15 when I began picking up the instrument, and I haven't put it down since." ShahMirza very quicly took his place among the best sorna players and acquired great reknown throughout Lorestan. In 1971, he began radio work ; he then performed at the major cultural festivals in Iran, including those of Shiraz and Tehran. Thanks to the efforts of the Lor musician Ali Akbar Shekartchi, his first recordings were distributed in 1981 ; they enjoyed great success throughout Iran. In 1991, ShahMirza performed at the Avignon festival (France) and in the autumn of the same year, his two successive concerts in the Chatelet Auditorium in Paris stunned the public and the press, who described him as the "Master of Breath". His son, Rezâ Morâdi, used to accompany him on the dohol ; Reza is also an excellent kamantcheh player, an instrument that he learned from his father. ShahMirza's technique which uses a prolonged and powerful breath - rare with this instrument - is a truly creative one. Even more surprising is the marriage of this power with creativity and the personnal innovations of the master. In fact, by its very construction, the Sorna is a limited instrument ; it is due to his technique and imagination that Shahmirza manages to perform all sort of variations and modulations. The basic melodies (Magham-s) of Lorestan are short and sometimes repetitive ; to link up those melodies uninterruptedly and, above all, harmoniously, is a technical feat of which perhaps only ShahMirza knew the secret. Master Moradi works represents now a kind of encyclopedia of the music of Lorestan. He left us on the 14th of December 1997. http://www.wyastone.co.uk/nrl/world/5397a.html ... Tags: lor lori lorestan iran sorna zorna dohol moradi shahmirza reza shamirza doroud dorood

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Faraj & Moslem Alipour - Kordi Lori Iraqi Kurdistan Festival - 2007 - Kurdish Family (Andalibi) mixing with Lor family (Alipour). Let's dance ! No mollah in free Iraq. Tags: lorestan iran alipour tal lor kord kurd kamanche kamantche khorram alipoor faraj moslem

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Faraj & Moslem Alipour - Lorestan dance music Iraqi Kurdistan Festival - 2007 - The two lor tal player are accompanied by Jalil Andalibi kurdish family. Tags: lorestan iran alipour tal lor kamanche kamantche khorram kord kurd alipoor faraj moslem

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Faraj & Moslem Alipour - KhorramAbad - Nowrouz 1993 Moslem was about 13 years old, a little rooster imitating his father Faraj. Tags: lorestan iran alipour tal lor kamanche kamantche khorram alipoor faraj moslem

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Haj Ghorban Soleimani - Plectrums of Love - 2 / 2 Haj Ghorban Soleimani was born in 1920 in Aliabad, a small village in the north of Ghuchan in northern Khorasan. Of Turkish origin, he has lived all his life in Aliabad whose inhabitants are in majority Turkish speaking. A musician as well as a farmer, capable of singing in Persian, Turkish, and Kurdish, Soleimani is the perfect example of the bakhshi. He is one of the last great living bards. He learned his art from his father, who, in turn, was taught by his own father. True to tradition, Soleimani has been the teacher of his only son Alireza. The sons of Alireza, in turn, already hold promise despite their youth and follow diligently the teachings of their grandfather and father. He died on the 20th of January 2008 : God bless him : hoo ! Tags: iran khorasan dotar soleimani ghorban haj bakhshi ghuchan quchan

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Haj Ghorban Soleimani - Plectrums of Love - 1 / 2 Haj Ghorban Soleimani was born in 1920 in Aliabad, a small village in the north of Ghuchan in northern Khorasan. Of Turkish origin, he has lived all his life in Aliabad whose inhabitants are in majority Turkish speaking. A musician as well as a farmer, capable of singing in Persian, Turkish, and Kurdish, Soleimani is the perfect example of the bakhshi. He is one of the last great living bards. He learned his art from his father, who, in turn, was taught by his own father. True to tradition, Soleimani has been the teacher of his only son Alireza. The sons of Alireza, in turn, already hold promise despite their youth and follow diligently the teachings of their grandfather and father. Tags: iran khorasan dotar soleimani ghorban haj bakhshi ghuchan quchan

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The authentic Masters - Assatid (3/3) Live in Shiraz Festival in Hafezieh (Hafez tomb) - 1971 Faramarz PAYVAR (santur) - Asghar BAHARI (kamancheh) - Hosseyn TEHRANI (tonbak) - Jalil SHAHNAZ (tar) Homayun Dastgah : zarbi and avaz (santur) ; Payvar's reng Tags: iran music master ostad payvar tehrani classic traditional santour tombak kamantche persia

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The authentic Masters - Assatid (2/3) Live in Shiraz Festival in Hafezieh (Hafez tomb) - 1971 Faramarz PAYVAR (santur) - Asghar BAHARI (kamancheh) - Hosseyn TEHRANI (tonbak) - Jalil SHAHNAZ (tar) Homayun Dastgah : 4mezrab and avaz (kamancheh) Tags: iran music master ostad bahari tehrani classic traditional kamanche santour tombak persia

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The authentic Masters - Assatid (1/3) Live in Shiraz Festival in Hafezieh (Hafez tomb) - 1971 Faramarz PAYVAR (santur) - Asghar BAHARI (kamancheh) - Hosseyn TEHRANI (tonbak) - Jalil SHAHNAZ (tar) Homayun Dastgah : Payvar's pishdaramad ; 4mezrab and avaz (tar) Tags: iran music master ostad shahnaz tehrani classic traditional santour tombak kamantche persia

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Ostad Hassan KASSAYI The greatest neyzan is living in Esfahan. This document was taped in the late 60s. Masnavi and mokhalef Segah. Tags: iran music ney nei kasaee kassai persia

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Morshed Mehregan (2/2) and 3 dafzan Creative and modern piece which keeps all its authenticity in its arrangement where strength meets sufism, where manliness and bravery meets spirituality and religion. Morteza Ayan Behnam Samani Syavosh Yazdanifar Esfahani. Tags: iran tonbak tombak daf zurkhaneh varzesh bastani sufi pahlavan darvish takhti shahnameh ferdowsi erfan pourya persia

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Morshed Mehregan (1/2) - Shah Nameh The Morshed is a guide and a leader for the "pahlavan" (heroes, braves, knights, athletes) exercising in the pit ; he must be experienced in all the Zurkhaneh exercises, a model for the athletes, he must know poetry (especially Ferdowsi's ShAh NAmeh), he must play the huge clay tombak and sing good. Zurkhaneh's ethics and tradition take root in pre-islamic military exercises and zoroastrian spirituality. ShAh NAmeh begins by this powerful verse "Be nAm-e KhodAvand-e djAN o kherad ..." In the name of the God of Being and Intelligence ... Tags: iran tonbak tombak zurkhaneh varzesh bastani pahlavan takhti shahnameh ferdowsi poorya pourya zoorkhane zourkhane persia

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Morteza AYAN - beloved master Certainly, he is the best tonbak teacher and the best sideman in groups. From Amir Nasser Eftetah's school, AYAN's style is a combination of delicacy, sensitiveness, intelligence and good taste ; in orchestras, he always plays the right sentence at the right time and gives to tonbak its higher rank of nobility. His best pupils are Mehrdad Arabi and Houman Pourmehdi. Tags: iran tonbak tombak zarb music persia classic tehrani eftetah farhangfar rajabi

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Baba Taher Ensemble (6/6) - Seyyed Khalil Ali Nejad Ali bood - 1995 Tehran concert Ya Haqq Tags: iran tanbur daf kord kurd nazeri ahl haq tanbour tambur sufi darvish spiritual soufi maqam magham kurdistan kordestan

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Baba Taher Ensemble (4/6) - Seyyed Khalil Ali Nejad Ashk-e pardedar 1995 - Tehran concert HOO Tags: iran tanbur darvish kord kurd sufi nazeri daf ahl haq tambur tanbour spiritual soufi maqam magham kurdistan kordestan

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Seyyed Khalil Ali Nejad (3/6) - Baba Taher Ensemble Seyyed Khalil Tanbur solo 1995 - Tehran concert Who killed him ? Why ? Nobody cares ... Jomhoori Eslami's silence looks like acknowledgment. Tags: iran nazeri alizadeh kurd tanbur daf ahl haq tambur sufi darvish mystic spiritual soufi maqam magham kurdistan kordestan

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Baba Taher Ensemble (2/6) - Seyyed Khalil Ali Nejad Ayn-e Mastan - 1995 - Tehran concert Master piece - ShahKar Tags: iran kurd kord tanbur nazeri daf ahl haq tambur sufi darvish mystic spiritual soufi maqam magham kurdistan kordestan

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Seyyed Khalil Ali Nejad (1957/18-11-2001) - Baba Taher Group Group presentation - from right to left : Mirfarsad Malek-Nia (daf), Kambiz Mohit-Mafi (tanbur and daf), Bahram Khani (tanbur), Syavash Ashrafi (tanbur), Seyyed Fariborz Shah-Ebrahimi (tanbur), Seyyed Khalil Ali Nejad (tanbur, vocal, direction) ; from left to right : Touraj Alyoon (barbat), Iradj Kardakani (tanbur), Ramin Kakavand (tanbur, vocal), Seyyed Mehdi Moosavi-e-Pak, Seyyed Khalil Ali Nejad (tanbur, vocal, direction), God bless him. Tags: iran kord kurd tanbur nazeri daf ahl haq tambur sufi darvish mystic spiritual soufi maqam magham kurdistan kordestan

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Homayun arrangements : Manouchehr Fouladvand pishdaramad : P. Meshkatian 4-mezrab : M. Fouladvand tonbak : Christian Tags: iran santur santour santoor tonbak tombak fouladvand meshkatian persia

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Oss Nasser : 11 years already ! For the commemoration of Nasser Farhangfar disparition (17-8-1997), just 10 years ago, here is his legacy, Arash : Tonbak solo played ba Arash on his 40th day of mourning. Bebakhshid ostad Rajabi. Some should be turned in ridicule, khala..., ghavih..., and others too, first letters of their name not even writable. Tags: iran farhangfar tonbak tombak zarb naser arash lotfi nasser oss ostad drum middle east persia

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Darvish Golnazar - Tanbur Authentic kurdish tanbur magham music. Goli was Poornazeri & Nazeri 's teacher; he was the soul of Shams Ensemble. he is a flower in the iranian music garden. Tags: kurd iran nazeri kord maqam magham sufi tanbur shams tambur soufi darvish mystic spiritual kurdistan kordestan azizi

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Sheyda Bülbül - Tütak (4/4) Tütak Ensemble live concert in Radio Berlin (SFB) Shiva Moghaddam : singer Nasser Sahand : naghareh Djahangir Ahmadzadeh : singer Sohrab Hamidi : garman Hosseyn Hamidi : balaban Tags: azeri azari iran music balaban tradition azerbaijan tutak naghareh naghara garman

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Sahilda - Tütak (3/4) Tütak Ensemble live concert in Radio Berlin (SFB) Shiva Moghaddam : singer Nasser Sahand : naghareh Sohrab Hamidi : garman Hosseyn Hamidi : balaban Tags: azeri azari iran music balaban tradition azerbaijan tutak naghareh naghara garman

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Sari Galin - Tütak (2/4) Tütak Ensemble live concert in Radio Berlin (SFB) Shiva Moghaddam : singer Nasser Sahand : singer and naghareh Hosseyn Hamidi : balaban Tags: azeri azari iran azerbaijan alizadeh balaban tradition tutak naghareh naqare naghara garman

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Heydar Baba - Tütak (1/4) Tütak Ensemble live concert in Radio Berlin (SFB) Shiva Moghaddam : singer Hosseyn Hamidi : balaban Tags: azeri azari iran music balaban tradition azerbaijan tutak naghareh naghara garman

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Buzuq & Tombak Duo (2/2) - Sabr Live concert "Young Palestinian Artists" at the Algerian Cultural Centre (Paris). Piece composed and arranged by Nadim Khoury and Christian Perraudin. Tags: buzuq buzuk bouzouk tonbak tombak music palestine iran asil avantgarde persia

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Buzuq & Tombak Duo (1/2) - la enta habibi Buzuq : Nadim Khoury Tombak : Christian Perraudin Live concert at the Algerian Cultural Centre (Paris). Arrangement for a piece originally composed by the Rahbani Brothers. Tags: buzuq buzuk bouzouk tonbak tombak music palestine iran fayrouz fairouz asil avantgarde liban lebanon persia

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Hassan Tabar et Djamshid Shemirani Live Concert in Paris - 31/3/1995 santur : Hassan Tabar Tombak : Djamshid Shemirani Tags: santur iran music persian tonbak tombak santour santoor tabar shemirani

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