Schaut Video - VideoBild.com

Tags : podnevne vijesti amsterdam latino cerna narbo vancouver video mirko filipovic rba winter franz ella kaprije muzika green maksimir budala superman cro cop geodezija atlas kids medicina suzuki vacation ljudi Sanz architecture super multi tv depresija geo e-rijeka ubuntu pjesme katanic tambura slashdot politika travel un dijeta

rob333c

Benützer: rob333c

Ludwig Van Beethoven, Corolian Overture, Carlos Kleiber, Conductor 1996 Beethoven, Corolian Overture, Carlos Kleiber, Bayerisches Staatsorchester Tags: Ludwig Van Beethoven Corolian Overture Kleiber Classical Orchestra Carlos

Benützer: rob333c

Claude Debussy, Syrinx, Jean Pierre Rampal, Flute Claude Debussy, Syrinx, Jean Pierre Rampal, Flute. Telecast of March 28, 1957. Tags: Claude Debussy Syrinx Jean Pierre Rampal Flute Concerto Classical

Benützer: rob333c

Christian Ferras plays Hora Staccato by Grigoras Dinicu Christian Ferras plays Hora Staccato by Grigoras Dinicu, Pierre petit, piano. Paris November 8th, 1973 Tags: Christian Ferras Grigoras Dinicu Hora Staccato Classical Violin Piano

Benützer: rob333c

MOZART Violin Sonata K304 Gil & Orli Shaham 1/2 Wolfrang Amadeus Mozart, Sonata for Piano and Violin in E minor K304, Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005 Tags: Wolfrang Amadeus Mozart Sonata for Piano and Violin Gil Shaham Orli Classical

Benützer: rob333c

MOZART Violin Sonata K304 Gil & Orli Shaham 2/2 Wolfrang Amadeus Mozart, Sonata for Piano and Violin in E minor K304, Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005 Tags: Wolfrang Amadeus Mozart Sonata for Piano and Violin Gil Shaham Orli Classical

Benützer: rob333c

MOZART Violin Sonata K302 Gil & Orli Shaham 1/2 Wolfrang Amadeus Mozart, Sonata for Piano and Violin K302 Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005 Tags: Wolfrang Amadeus Mozart Sonata for Piano and Violin Gil Shaham Orli Classical

Benützer: rob333c

MOZART Violin Sonata K303 Gil & Orli Shaham 2/2 Wolfrang Amadeus Mozart, Sonata for Piano and Violin K303 Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005 Tags: Wolfrang Amadeus Mozart Sonata for Piano and Violin Gil Shaham Orli Classical

Benützer: rob333c

MOZART Violin Sonata K302 Gil & Orli Shaham 2/2 Wolfrang Amadeus Mozart, Sonata for Piano and Violin K302 Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005 Tags: Wolfrang Amadeus Mozart Sonata for Piano and Violin Gil Shaham Orli Classical

Benützer: rob333c

MOZART Violin Sonata K303 Gil & Orli Shaham 1/2 Wolfrang Amadeus Mozart, Sonata for Piano and Violin K303 Gil Shaham, Violin, Orli Shaha, Piano. Viena December/2005 Tags: Wolfrang Amadeus Mozart Sonata for Piano and Violin Gil Shaham Orli Classical

Benützer: rob333c

BACH, Partita No.2 BWV 1004, Guidon Kremer, violin, Part 3/3 Johan Sebastian Bach, Partita No. 2 d minor BWV 1004. Guidon Kremer, violin. From St Nikolaus Church Lockenhaus. September 2001 Tags: Johan Sebastina Bach Guidon Kremer Violin Classical Concerto Partita

Benützer: rob333c

BACH, Partita No.2 BWV 1004, Guidon Kremer, violin, Part 2/3 Johan Sebastian Bach, Partita No. 2 d minor BWV 1004. Guidon Kremer, violin. From St Nikolaus Church Lockenhaus. September 2001 Tags: Johan Sebastina Bach Guidon Kremer Violin Classical Concerto Partita

Benützer: rob333c

BACH Partita No.1 BWV 1002, Guidon Kremer, violin, Part 2/3 Johan Sebastian Bach, Partita b minor BWV 1002. Guidon Kremer, violin. From St Nikolaus Church Lockenhaus. September 2001 Tags: Johan Sebastina Bach Guidon Kremer Violin Classical Concerto Partita BWV 1002

Benützer: rob333c

BACH, Partita No.2 BWV 1004, Guidon Kremer, violin, Part 1/3 Johan Sebastian Bach, Partita No. 2 d minor BWV 1004. Guidon Kremer, violin. From St Nikolaus Church Lockenhaus. September 2001 Tags: Johan Sebastina Bach Guidon Kremer Violin Classical Concerto Partita

Benützer: rob333c

BACH Partita No.1 BWV 1002, Guidon Kremer, violin, Part 3/3 Johan Sebastian Bach, Partita b minor BWV 1002. Guidon Kremer, violin. From St Nikolaus Church Lockenhaus. September 2001 Tags: Johan Sebastina Bach Guidon Kremer Violin Classical Concerto Partita BWV 1002

Benützer: rob333c

BACH Partita No.1 BWV 1002, Guidon Kremer, violin, Part 1/3 Johan Sebastian Bach, Partita b minor BWV 1002. Guidon Kremer, violin. From St Nikolaus Church Lockenhaus. September 2001 Tags: Johan Sebastina Bach Guidon Kremer Violin Classical Concerto Partita BWV 1002

Benützer: rob333c

Beethoven Sonata piano & violin Rondo Oistrakh Richter Beethoven Sonata for piano & violin, Rondo, David Oistrakh and Sviatoslav Richter Tags: Ludwin Van Beethoven Sonata for piano and violin Rondo David Oistrakh Sviatoslav Richter

Benützer: rob333c

MAX BRUCH VIOLIN CONCERTO NO. 1 GIL SHAHAM, part 2/3 Gil Shaham plays the Max Bruch's violin concerto No. 1, Dan Ettinger, conducts the Israel Philarmonic Orchestra, Tel Aviv Israel, april 2002. Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. The concerto was first completed in 1866 and the first performance was given on 24 April 1866 by Otto von Königslow with Bruch himself conducting. The concerto was then considerably revised with help from celebrated violinist Joseph Joachim and completed in its present form in 1867. The première of the revised concerto was given by Joachim in Bremen on 5 January 1868 with Karl Martin Rheinthaler conducting. The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings. The concerto is in three movements: 1: Vorspiel: Allegro moderato, 2: Adagio, 3: Finale: Allegro energico The first movement is unusual in that it is a Vorspiel, a prelude and it, indeed, serves as a prelude to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march. The first note is unvibrated and unexaggerated. The melody is first taken by flutes, then the ravishing solo violin becomes audible. The slow second movement is often adored for its strong melody. The third movement, the finale, opens with a few subdued bars of orchestral introduction that yield to the soloist's statement of the exuberant theme in double stops. The second subject is a fine example of Romantic lyricism. The concerto is also unusual in that Bruch declined to provide a cadenza of his own for the work or allow for the insertion of a cadenza by the soloist. Bruch composed two more violin concertos, but neither are as well known as his first. Tags: MAX BRUCH GIL SHAMAM DAN ETTINGER ISRAEL PHILARMONIC ORCHESTRA NO. CLASSICAL

Benützer: rob333c

MAX BRUCH VIOLIN CONCERTO NO. 1 GIL SHAHAM, part 3/3 Gil Shaham palys the Max Bruch's violin concerto No. 1, Dan Ettinger, conducts the Israel Philarmonic Orchestra, Tel Aviv Israel, april 2002. Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. The concerto was first completed in 1866 and the first performance was given on 24 April 1866 by Otto von Königslow with Bruch himself conducting. The concerto was then considerably revised with help from celebrated violinist Joseph Joachim and completed in its present form in 1867. The première of the revised concerto was given by Joachim in Bremen on 5 January 1868 with Karl Martin Rheinthaler conducting. The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings. The concerto is in three movements: 1: Vorspiel: Allegro moderato, 2: Adagio, 3: Finale: Allegro energico The first movement is unusual in that it is a Vorspiel, a prelude and it, indeed, serves as a prelude to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march. The first note is unvibrated and unexaggerated. The melody is first taken by flutes, then the ravishing solo violin becomes audible. The slow second movement is often adored for its strong melody. The third movement, the finale, opens with a few subdued bars of orchestral introduction that yield to the soloist's statement of the exuberant theme in double stops. The second subject is a fine example of Romantic lyricism. The concerto is also unusual in that Bruch declined to provide a cadenza of his own for the work or allow for the insertion of a cadenza by the soloist. Bruch composed two more violin concertos, but neither are as well known as his first. Tags: MAX BRUCH GIL SHAMAM DAN ETTINGER ISRAEL PHILARMONIC ORCHESTRA NO. CLASSICAL

Benützer: rob333c

MAX BRUCH VIOLIN CONCERTO NO. 1 GIL SHAHAM, part 1/3 Gil Shaham plays the Max Bruch's violin concerto No. 1, Dan Ettinger, conducts the Israel Philarmonic Orchestra, Tel Aviv Israel, april 2002. Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. The concerto was first completed in 1866 and the first performance was given on 24 April 1866 by Otto von Königslow with Bruch himself conducting. The concerto was then considerably revised with help from celebrated violinist Joseph Joachim and completed in its present form in 1867. The première of the revised concerto was given by Joachim in Bremen on 5 January 1868 with Karl Martin Rheinthaler conducting. The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings. The concerto is in three movements: 1: Vorspiel: Allegro moderato, 2: Adagio, 3: Finale: Allegro energico The first movement is unusual in that it is a Vorspiel, a prelude and it, indeed, serves as a prelude to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march. The first note is unvibrated and unexaggerated. The melody is first taken by flutes, then the ravishing solo violin becomes audible. The slow second movement is often adored for its strong melody. The third movement, the finale, opens with a few subdued bars of orchestral introduction that yield to the soloist's statement of the exuberant theme in double stops. The second subject is a fine example of Romantic lyricism. The concerto is also unusual in that Bruch declined to provide a cadenza of his own for the work or allow for the insertion of a cadenza by the soloist. Bruch composed two more violin concertos, but neither are as well known as his first. Tags: MAX BRUCH GIL SHAMAM DAN ETTINGER ISRAEL PHILARMONIC ORCHESTRA NO. CLASSICAL

Benützer: rob333c

Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado 4/4 Beethoven Piano Conc No 2 Mikhail Pletnev, Berlin Philarmonic, Claudio Abbado, conductor. Tags: Ludwin Van Beethoven Piano Concerto No Mikhail Pletnev Claudio Abbado Classical Berlin Philarmonic Concert Conductor

Benützer: rob333c

Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado 3/4 Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado Berlin Philarmonic Tags: Ludwin Van Beethoven Piano Concerto No Mikhail Pletnev Claudio Abbado Classical Berlin Philarmonic Concert Conductor

Benützer: rob333c

Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado 2/4 Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado Berlin Philarmonic Tags: Ludwin Van Beethoven Piano Concerto No Mikhail Pletnev Claudio Abbado Classical Berlin Philarmonic Concert Conductor

Benützer: rob333c

Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado 1/4 Beethoven Piano Conc No 2 Mikhail Pletnev Claudio Abbado Berlin Philarmonic Tags: Ludwin Van Beethoven Piano Concerto No Mikhail Pletnev Claudio Abbado Classical Berlin Philarmonic Concert Conductor

Benützer: rob333c

Beethoven Triple Concerto Oistrakh Rostropovich Richter 2/4 Beethoven Concerto in C for Violin, Cello and Piano Part 2/4 David Oistrakh, Mstislav Rostropovich, Sviatoslav Richter with Moscow Philharmonic orchestra, Kyril Kondrachin, conductor. 50' Anniversary of the Moscow State Philarmonic Orchestra, Moscow Great Hall, 1970. Tags: Ludwin Van Beethoven Triple Concerto in Violin Cello Piano David Oistrakh Mstislav Rostropovich Sviatoslav Richter

Benützer: rob333c

Beethoven Triple Concerto Oistrakh Rostropovich Richter 1/4 Beethoven Concerto in C for Violin, Cello and Piano Part 1/4 David Oistrakh, Mstislav Rostropovich, Sviatoslav Richter with Moscow Philharmonic orchestra, Kyril Kondrachin, conductor. 50' Anniversary of the Moscow State Philarmonic Orchestra, Moscow Great Hall, 1970. Tags: Ludwin Van Beethoven Triple Concerto in Violin Cello Piano David Oistrakh Mstislav Rostropovich Sviatoslav Richter

Benützer: rob333c

Beethoven Triple Concerto Oistrakh Rostropovich Richter 3/4 Beethoven Concerto in C for Violin, Cello and Piano Part 3/4 David Oistrakh, Mstislav Rostropovich, Sviatoslav Richter with Moscow Philharmonic orchestra, Kyril Kondrachin, conductor. 50' Anniversary of the Moscow State Philarmonic Orchestra, Moscow Great Hall, 1970. Tags: Ludwin Van Beethoven Triple Concerto in Violin Cello Piano David Oistrakh Mstislav Rostropovich Sviatoslav Richter

Benützer: rob333c

Beethoven Triple Concerto Oistrakh Rostropovich Richter 4/4 Beethoven Concerto in C for Violin, Cello and Piano Part 4/4 David Oistrakh, Mstislav Rostropovich, Sviatoslav Richter with Moscow Philharmonic orchestra, Kyril Kondrachin, conductor. 50' Anniversary of the Moscow State Philarmonic Orchestra, Moscow Great Hall, 1970. Tags: Ludwin Van Beethoven Triple Concerto in Violin Cello Piano David Oistrakh Mstislav Rostropovich Sviatoslav Richter

Benützer: rob333c

From Mao to Mozart Before and 20 years Later From Mao to Mozart Before 20 years Later Tags: From Mao to Mozart Before 20 years Later Isaac Stern Shön Rosmarin

Benützer: rob333c

José Carreras, Alfonsina y el Mar José Carreras, Alfonsina y el Mar Tags: José Carreras Alfonsina el Mar

Benützer: rob333c

Tchaikovsky Violin Concerto Viktoria Mullova 3/4 The Tchaikovsky violin Concerto performed by russian violinist Viktoria Mullova. Her extraordinary talent captured international attention when she won first prize at the 1980 Sibelius Competition in Helsinki and the Gold Medal at the Tchaikovsky Competition in 1982. This concert is at Barbican Concert Hall 1983. Tags: Piotr Illich Tchaikovsky Violin Concerto Viktoria Mullova Classical Maxim Shostakovich

Seiten: 1 2 3